I feel hung up and I don't know why,  "I Want to Tell You" is a Beatles song on the 1966 album Revolver (see 1966 in music). When I get near you The games begin to drag me down It's all right I'll make you maybe next time around. Harrison performed "I Want to Tell You" as the opening song throughout his 1991 Japanese tour with Eric Clapton. [25] The group then overdubbed vocals,[55] with McCartney and Lennon singing parallel harmony parts beside Harrison's lead vocal. A version recorded during that tour appears on his Live in Japan album. When I get near you,  "[81], In America, due to the controversy there surrounding Lennon's remark that the Beatles had become more popular than Christianity, the initial reviews of Revolver were relatively lukewarm. [72] For the North American version of Revolver, however, Capitol Records omitted "Doctor Robert", together with two other Lennon-written tracks;[73] as a result, the eleven-song US release reinforced the level of contribution from McCartney[74] and from Harrison. It was written and sung by George Harrison, the band's lead guitarist. "I Want to Tell You" is a song by the English rock group the Beatles from their 1966 album Revolver. Please note the text from Wikipedia is imported without editing or authentication. [58] Like "Eight Days a Week", the completed track begins with a fade-in,[23][25] a device that in combination with the fadeout, according to Rodriguez, "provided a circular effect, perfectly matching the song's lack of resolution". If you do that we will not be able to send you any of this unless you re-subscribe. Working titles, originating from Harrison's inability to name his songs, were "Laxton's Superb" (a breed of apple, following on from "Granny Smith") and "I Don't Know". [37] Further to Harrison's drawn-out phrasing over the first line of the verses, this detail demonstrates the composition's subtle Indian influence. George Harrison wrote "I Want to Tell You" in the early part of 1966, the year in which his songwriting matured in terms of subject matter and productivity. [61] The process of recording the bass separately from a rhythm track provided greater flexibility when mixing a song,[61] and allowed McCartney to control the harmonic structure of the music by defining chords. [43] The session took place on 2 June 1966,[52] the day after Harrison met Indian classical musician Ravi Shankar for the first time and secured Shankar's agreement to help him master the sitar. [18], MacDonald cites the lyrics to the first bridge – "But if I seem to act unkind / It's only me, it's not my mind / That is confusing things" – as an example of Harrison applying an Eastern philosophical approach to difficulties in communication, by presenting them as "contradictions between different levels of being". Really, I think that the Beatles and George wanted the notes to be flat. As another example of the song's musical form and lyrical content mirroring one another, the words "drag me down" appear over the delayed change to B7 in the second verse. When I get near you, The games begin to drag me down, It's alright, I'll make you maybe next time around. [39] Author Ian Inglis notes that lines such as "My head is filled with things to say" and "The games begin to drag me down" present in modern-day terms the same concepts regarding interpersonal barriers with which philosophers have struggled since the pre-Socratic period. 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